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"Nazca News"

latest discoveries building on the pioneering work of
Maria Reiche on the Nazca plain

text translation service for many worldwide languages


    a photograph of Maria Reiche    

a remarkable woman to whom the world owes
a great debt of gratitude
...

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Books by
Maria Reiche

"Markings: Aerial Views of Sacred Landscapes
by
Maria Reiche
Charles Gallenkamp
Keith Critchlow
Lucy Lippard
(Contributors)
Marilyn Bridges
(Photographer)
Haven O'More
(Preface)

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EU English Edition


"Mystery on the desert;: A study of the ancient figures and strange delineated surfaces seen from the air near Nazca, Peru"
by
Maria Reiche
Unknown Binding
1949 Edition


"Geheimnis Der Wuste/
Mystery on the desert/
Secreto De La Pampa"

German/English/Spanish by
Maria Reiche

Hardcover
1968 Edition


"Peruanische Erdzeichen/Peruvian Ground Drawings
German & English
by

Maria Reiche
(Author)
Malcolm G. Leybourne
(Translator)
Dr. Hermann Kern
(Translator)
Hermann Kern
(Foreword)

1974 1st Edition


"Geheimnis Der Wuste/
Mystery on the desert/
Secreto De La Pampa
-
Preliminaries for a Scientific Interpretation of the Pre-Histori c Ground-Drawings of Nazca, Peru and Introduction to Their Study"

German/English/Spanish by
Maria Reiche

Hardcover
1989 7th Edition
Signed by author


Books about the Nazca
lines & geoglyphs

"Maria And The Stars Of Nazca / Maria Y Las Estrellas De Nazca"
Spanish & English
by
Anita Jepson-Gilbert
Rodger Osban

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"Ancient Nasca
Settlement & Society"

by
Helaine Silverman

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"Nasca society arose on the south coast of Peru 2000 years ago and evolved over the course of the next 700 years. This text examines the range of sites occupied by the people responsible for some of the most exquisite art and ingenious hydraulic engineering of the pre-Columbian world.

 

Probably the best known examples of geoglyphs are the magnificent lines and drawings carved into the desert on the Nazca Plain in Peru - only able to be seen in their fullness from the air. These were discovered in 1939 by Dr. Paul Kosok of Long Island University, who in 1946 handed over over all his information about these amazing geoglyphs on the Nazca Plain to Maria Reiche, a mathematician and graduate of Hamburg University.

Maria Reiche spent the next fifty years living on the Nazca Plain close to the area of the drawings, painstakingly mapping each one, and trying to protect them from the encroaches of modern civilisation. She died aged 95 in Peru in June 1998, and left many feeling that the great Nazca geoglyphs had lost their champion.

She was laid to rest besides the enigmatic drawings she spent half a lifetime protecting. And, as you will see from some of the aerial photographs, car tracks, horses hoof prints, and even the Pan-American highway have all contributed to the destruction of a number of the drawings. In many respects this has been caused simply by the sheer size of the geoglyphs which can only be appreciated properly from the air. It is the sheer size of the work undertaken by the ancient Peruvians that continues to fascinate all who encounter them, and Maria Reiche explains in her book, "Mystery on the Desert", the method of construction :

"It seems almost incredible that ground-drawings made by superifcially scratching the surface could have withstood the ravages of time and weather over such long periods. The climate is one of the driest of the globe. One could say that it rains for half an hour every two years. And although strong winds carry great quanitites of sand, not encountering any obstacles on the vast tablelands open towards the north and south, they take it further north, where at seventy miles distance one can see huge dunes on both sides of the (Pan-American) highway. Moreover, close to the ground the air is becalmed considerably. Owing to their dark color, the surface stones absorb much heat, causing a cushion of warm air to protect the surface from strong winds.

An additional factor contributing to the ground remaining undisturbed for hundreds of years is that the soil contains a certain amount of gypsum which, moistened by daily morning-dew, slightly affixes every stone to its base. This makes it possible to retrace the steps by which the ancient topographers laid out the accurate shapes of their complicated structures, having used stones as markers which have remained in the same place where they were put when the drawings were made. It was found, for example, that the huge regular curves of animal-figures were composed of segments of circles, whose centres were marked by a stone which had been, or was cut to, one hundredth of the the corresponding radius."

Since that time many others have taken up the Nazca cause and, although some have felt that Maria Reiche's explanations of the lines, geometric shapes and geoglyphs of animals, birds and fish on the desert are only part of the story, all agree that without her lifelong efforts to protect them, many more of the lines and drawings would most certainly have been destroyed by now.

Below are some of the latest discoveries, news items and the thoughts of archaeologists, anthropologists, astronomers and a wide variety of others who have explored these enigmatic phenomena:

 

"Archaeologists explore Peruvian mystery"

May 22, 2008, PhysOrg, USA:
"Indiana Jones may be flying over the Nazca Lines in Peru in his latest Hollywood adventure, but two British archaeologists have been investigating the enigmatic desert drawings for several years.

Dr Nick Saunders from Bristol University and Professor Clive Ruggles from the University of Leicester are locating and measuring the lines with high-precision GPS, photographing the distribution of 1,500-year old pottery, and painstakingly working out the chronological sequence of overlying lines and designs.

Funded by the Anglo-Peruvian Cultural Association in Lima, their research hopes to unlock the purpose of the dazzling but confusing array of desert drawings.

Bizarre explanations, such as alien visitations, ancient landing strips, and astronomical calendars are being replaced by serious archaeological and anthropological ideas." [Full Story]

 

"Archaeologist 'strikes gold' with finds of ancient
Nasca iron ore mine in Peru"

January 29, 2008, Purdue University, USA:
"A Purdue University archaeologist discovered an intact ancient iron ore mine in South America that shows how civilizations before the Inca Empire were mining this valuable ore.

an image/link direct to the Purdue University story
Copyright © 2008 Purdue University, USA

Kevin J. Vaughn, a Purdue assistant professor of anthropology, holds a pottery fragment he discovered at an excavation site in Nasca, Peru. The piece of pottery is from about the 5th century A.D., which is the same time period as other artifacts he uncovered at Mina Primavera.

'Archaeologists know people in the Old and New worlds have mined minerals for thousands and thousands of years', said Kevin J. Vaughn, an assistant professor of anthropology who studies the Nasca civilization, which existed from A.D. 1 to A.D. 750. 'Iron mining in the Old World, specifically in Africa, goes back 40,000 years. And we know the ancient people in Mexico, Central America and North America were mining for various materials. There isn't much evidence for these types of mines.'

'What we found is the only hematite mine, a type of iron also known as ochre, recorded in South America prior to the Spanish conquest. This discovery demonstrates that iron ores were important to ancient Andean civilizations.'

n 2004 and 2005, Vaughn and his team excavated Mina Primavera, which is located in the Ingenio Valley of the Andes Mountains in southern Peru. The research team performed field checks and collected some samples in 2006 and 2007. The findings of the excavation are published in December's Journal of the Minerals, Metals & Materials Society.

The researchers determined that the mine is a human-made cave that was first created around 2,000 years ago. An estimated 3,710 metric tons was extracted from the mine during more than 1,400 years of use. The mine, which is nearly 700 cubic meters, is in a cliffside facing a modern ochre mine." [Full Story]

 

"We know who drew these giant shapes in
Peru's desert - but why?"

December 10, 2007, The Miami Herald, USA:
"Everyone here, it seems, has a theory about the Nasca Lines. The mysterious markings on the desert floor are a massive astronomical calendar. That's a popular one.

Or maybe they point to hidden reserves of water, the source of life in the desert.

Then there's my favorite: UFO landing site. Forty years ago, Danish writer Erich Von Daniken popularized that theory with his best-selling book Chariots of the Gods?

Now, strapped into a four-passenger Cessna circling over a figure called the astronaut, I'm not sure what to think. One of its hands points to the sky, another to the ground. His owlish eyes stare into mine. Look at me, the 1,500-year-old seems to say. Can you solve my mystery?

Here's what's known: For hundreds of years, the Nasca people created lines on the ground. Some form familiar figures: a spider, hummingbird and dog. Others - a whale, monkey and parrot - don't belong in the desert at all.

The only way to see the Nasca Lines is from the air. That makes them even more mysterious. How did pre-Inca people make these images without being able to fly? And what was the point of forming lines if they couldn't appreciate their glory? The lines weren't even discovered until 1929, when a pilot flew over the area and was astonished to see eyes looking up at him.

Thanks to the ancients, the town of Nasca now has a veritable air force: More than a dozen companies fly planes over the lines. The tours are an industry, as indicated by the handwritten sign taped to my plane's instrument console. 'Tips are welcome', it says in six languages.

Not bad for a dusty desert town of about 20,000, a six-hour bus ride south of Lima. The modern city of Nasca, a place that gets less than an inch of rain a year, owes its prosperity to the mysterious markings. Statues inspired by the desert figures decorate the town plaza. Sketches of the lines are everywhere else. Elongated hummingbirds mark store signs, while a lizard graces City Hall. On sidewalks, brass inlays of a monkey and spider reflect the sun.

But the lines might have been forgotten without Maria Reiche. She came to Peru from Germany in the 1930s as a tutor and eventually dedicated her life to documenting the creations. For years, she surveyed the area, measuring the markings and pondering their meaning." [Full Story]

 

"Nostradamus Prophecies Linked to the Nazca Lines"

June 12, 2007, PR-GB, Bulgaria:
"Michel Nostradamus, history's most famous prophet, died in southern France in the late sixteenth century. The lines of Nazca are one of archaeology's greatest mysteries and were created nearly a thousand years earlier on a faraway continent.

A direct connection between the two is surely impossible, no? 'To the contrary, it's highly possible', says Morten St. George, author of a Nostradamus decoding book called Incantation of the Law Against Inept Critics: A Guide to Cryptic Thinking.

St. George's sensational decoding breakthrough was discovering that more than a half dozen of the Nostradamus prophecies cover, with extreme accuracy and detail, major historical events of an Andean people known as the Incas. 'The prophecies in question stand among the easiest to decode. No one ever did so because no one ever imagined that Nostradamus could be prophesying about such things.'

Moreover, in a couple of those prophecies, the author displays signs of emotion over the future dire plight of the Andean people, implying that there was direct contact if not a bond of friendship.

A reaffirmation comes in the first line of prophecy VI-2, which reads 'In the year 580 more or less.' Interpreters normally assume poetic license to add a thousand years. 'Not necessary,' says St. George.

'580 are correct as it stands. Prophecy VIII-76, internally claiming to signal the time of authorship, recounts in detail known historical events occurring in England around 580 A.D.'".

Meanwhile, it seems the people of Nazca used wooden stakes to mark out their lines, and archaeologists, using radiocarbon dating techniques, have determined that they began their grandiose project in the Peruvian desert around 580 A.D.." [Full Story]

 

"Priests may have designed Nazca lines, expert says"

September 24, 2006, Arizona Star/Reuters, USA:
"High priests at an ancient religious compound in southern Peru may have designed the mysterious Nazca lines, a set of huge geometric patterns, animal figures and long lines etched in the desert, the area's top archaeologist said.

Researchers say the Cahua-chi compound, built in 400 B.C., is just across the Nazca Valley from the lines, one of Peru's most popular tourist attractions and a U.N. World Heritage site.

The work is part of the Stonehenge Riverside Project, designed to explore the archaeological evidence from the landscape around Stonehenge, Woodhenge and Durrington Walls, and to examine this wide complex of monuments and human activities.

'It is logical to think that the Nazca people's religious beliefs originated in this ceremonial site and got expressed on the wide-open plain', Italian archaeologist Giuseppe Orefici, who leads research at Cahuachi, said last week.

Geographical proximity is not the only evidence of links between the two ancient sites — the same religious icons appear at the lines and on ceramics and crafts excavated at the Cahuachi compound." [Full Story]

 

"Mystery Triangles Break Nazca Code"

August 27, 2004, PR Web, USA:
"An amatuer photographer in San Diego has the local press convinced he's solved the riddle of who made the famous lines on the desert floor at Nazca, Peru. Ten UFOs he accidentally captured in a single photograph apparently contained the rosetta stone to finally solve this ancient mystery and his popular website backs him up with evidence the Los Angeles Times labeled 'Unsettling'.

It was just another hike thru the woods for three friends in San Diego on that glorious July day back in 1990. Only after the photos from the trip were developed did the hikers discover they were not alone.

In the distant background of one of those daylight scenic photos, a formation of nine objects were accidentally captured hovering over a nearby hillside.

'These extraordinary photos are most pursuasive evidence of the existence of UFOs' an expert would claim months later in a popular magazine.

On the trail that day however, nothing was out of the ordinary as the three adventurers set out to explore for the first time a beautiful loop trail at Inaja Memorial park in Santa Ysabel, California just east of San Diego." [Full Story]

The phenomena of strange lights in the sky near to ancient sites is something that has been reported from almost every corner of the world. Until these phenomena are fully explained they do indeed remain adequately described as Unidentified Flying Objects.

But it is pure idiocy to attempt to identify them in the context of some sort of extraterrestrial lifeforms visiting our planet. Ancient peoples all over the globe were capable of performing feats of engineering that we are uanable to equal, or copy, today despite our suppposedly superior technology.

Regrettably many people are unable or unwilling to appreciate this simple fact despite the ample evidence to be found all around us. [Editor]

 

"Peruvian mystery in danger"

April 20, 2004, The Washington Times/AP, USA:
"Standing inside the maze of mysterious lines and figures that put this arid region on the tourist map, state archaeologist Alberto Urbano surveyed a football field-size spread of ankle-deep trash.

'Farther down this road there are illegal gold mines, too', he said, noting that the path is the side of a gigantic trapezoid. 'See how straight it is.'

But it is not only trash and small-time gold diggers that threaten Peru's fragile Nazca Lines. Grave robbers, tractor-trailers and tourists have left their mark on the vast designs carved more than a millennium ago along a 35-mile stretch of desert.

In many ways, the damage reflects Peru's inability to protect its myriad of pre-Columbian archaeological gems.

Mr. Urbano blew the whistle on the municipality of Nazca in October for briefly dumping trash inside the 175-square-mile protected zone that has been a United Nations World Heritage site since 1994." [Full Story]

 

"Ancient Desert Markings Imaged From Orbit"

April 19, 2004, The Washington Times/AP, USA:
Visible from ESA's Proba spacecraft 600 kilometres away in space are the largest of the many Nasca Lines; ancient desert markings now at risk from human encroachment as well as flood events feared to be increasing in frequency.

an image/link direct to The SpaceDaily story
Copyright © 2004 SpaceDaily

Designated a World Heritage Site in 1994, the Lines are a mixture of animal figures and long straight lines etched across an area of about 70 km by 30 km on the Nasca plain, between the Andes and Pacific Coast at the southern end of Peru.

The oldest lines date from around 400 BC and went on being created for perhaps a thousand years.

They were made simply enough, by moving dark surface stones to expose pale sand beneath. However their intended purpose remains a mystery.

It has variously been proposed they were created as pathways for religious processions and ceremonies, an astronomical observatory or a guide to underground water resources." [Full Story]

 

"Over 1000 new 'geoglyphs' discovered on Peruvian
Nasca desert"

October 08, 2002, National Geographic News, USA:
"Human and animal likenesses, a knife, and a sundial are among the "geoglyphs", or giant figures etched into the earth and discernible from the sky, most recently discovered in the Peruvian desert.

Peruvian archaeologist Johny Islas and German colleague Markus Reindel have identified new etchings made by the ancient Nasca people in the desert valleys of Palpa, about 460 kilometers (290 miles) south of Lima.

After five years of work, the scientists were able to identify more than 1,000 new geoglyphs ... " [Full Story]

 

"Nazca Lines, Peru - latest satellite images"

January 15, 2001, Earth Observatory, Earth Orbit:
"It takes a view from above to appreciate the giant designs the ancient Nazca people carved into the Peruvian desert.

click image for higher resolution
an image/link direct to The Earth Observatory story
Copyright © 2001 Earth Observatory

This view from the Ikonos satellite reveals a giant spiral, a spider, and perfectly straight lines that stretch for kilometers across the desert.

The Nazca created these geoglyphs between 200 BCE and AD 600 by clearing away the dark red top soil and stone, leaving the pale underlying soil exposed.

Since the plain where the lines are carved receives little rain or wind, the lines are still visible today. This image, taken on January 15, 2001, shows two glyphs and several lines.

Near the top of the image, a spiral is nestled at the foot of the mountains. Below it is a spider, with its pincers facing the left edge of the image.

Since the lines are difficult to see from the ground, the artists may never have seen their work from this perspective. So why did the Nazca go to the trouble of scribbling over the desert?" [Full Story]

 

 

"Pathways to the Gods: The Mystery of the Andes Lines"
by
Tony Morrison

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EU English Edition


"Nazca: Eighth Wonder of the World?"
by
Anthony F. Aveni

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EU English Edition


"The Nasca
(Peoples of America)"

by
Helaine Silverman
&
Donald A. Proulx

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EU English Edition

"Ancient Nasca culture of the south coast of Peru is famous for its magnificent polychrome ceramics, textiles, and other works of art, as well as the enigmatic ground markings on the desert plain at Nasca. In the past two decades much has become known about the people who produced these fascinating works. This scholarly yet accessible book provides a penetrating examination of this important civilization."


more information
about the Nazca lines
& geoglyphs on :

Landscape Geometry

Lines Over Mountains

Animals & Landscape

Figures On The Plain

The Human Scale

Birds On The Pampa

The Spider Geoglyph
& The Stars Of Orion

Spirals In The Desert

 

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